A tribute to the controversial black activist and leader of the struggle for black liberation. He hit bottom during his imprisonment in the '50s, he became a Black Muslim and then a leader in the Nation of Islam. His assassination in 1965 left a legacy of self-determination and racial pride.
Denzel Washington Angela Bassett Albert Hall Al Freeman Jr. Delroy Lindo Spike Lee Theresa Randle Kate Vernon Lonette McKee Tommy Hollis James McDaniel Ernest Lee Thomas Jean-Claude La Marre O.L. Duke Larry McCoy Maurice Sneed Debi Mazar Phyllis Yvonne Stickney Scot Anthony Robinson Sonny Jim Gaines Joe Seneca LaTanya Richardson Jackson Wendell Pierce Michael Guess Leland Gantt Giancarlo Esposito Leonard L. Thomas Roger Guenveur Smith Craig Wasson Show All…
Ted Glass Gary Aharoni Judy Becker Shirley Belwood David A. Benninghoff Michael L. Benson Jennifer Greenberg Daniel Kenney Dan Kirshoff Michael Leather Jeff Naparstek Eric Stepper Mitch Towse Peter von Bartheld Keith Wall Michael Wiegand Travis Wright
Howard 'Stick' Baines Roy Farfel Randy Frazier Chuck Jeffreys Herb Kerr III Dexter Locke David S. Lomax Jalil Jay Lynch Phil Neilson Mick O'Rourke Gregg Smrz Roy Thomas Jeff Ward
Skip Lievsay Tom Fleischman Eugene Gearty Rolf Pardula Frank Kern Eliza Paley Dominick Tavella Steven Visscher
말콤 X, Малкольм Икс, Малкольм Ікс, Malkolm Iks, Малкълм Екс, 马尔科姆 X, 黑潮, מלקולם אקס, マルコムＸ, مالكولم إكس, 黑潮麥爾坎, Malkolmas X, მალკოლმ X, مالکوم ایکس, แมลคัม เอ็กซ์ นักต่อสู้เพื่อเสรีภาพ
USAPG-13
Beverly Hills, California
USAPG-13
Argentina
Norway
FranceTP
AustraliaM
Germany12
UK15
Denmark15
Ireland15
PortugalM/12
Sweden15
Italy
Brazile 14
SpainA
South Korea12
Netherlands12
Netherlands12
Netherlands12
Argentina
Australia
Brazil
Denmark
France
Germany
Ireland
Italy
Netherlands
Norway
Portugal
South Korea
Spain
Sweden
UK
USA
The cinematic epic of American Blackness. I'd say it belongs in the fucking Smithsonian, but that's a white man's museum for a white man's history.
When the white girl at the college asks Malcolm X what she can do to help his people, he responds with a blunt "Nothing." Though Malcolm X would later come around on this idea, the context of that girl's question stands out. She precedes it by asserting that she's not a bad person despite what her ancestors did, and... it's not that simple. If your parents killed someone and stole their wealth, I would not argue that you stand trial for their crimes, but I would argue that the wealth they stole should be returned. That girl (and myself) have both benefited from the white supremacist world we live in, and though we are not guilty of enslaving people or…
If the montage at the end of this film doesn't make you well up, you may just be dead inside.
Yes, it's manipulative. Yes, it's largely working with the traditional conceits of a biopic. Yes, it has an agenda.
I could not give less of a shit.
This is transcendent cinema. This is one of our greatest directors, and one of our greatest actors, telling a truly epic tale. It's grandiose. It's full of emotion and heart. It's utterly captivating throughout. It feels like eight movies in one, and yet never feels disjointed.
I honestly am lacking some of the words. It's just great. Watch it. I know it's over 200 minutes long, but it shoots by, trust me. It's worth it. Lord knows it's worth it.
if you’re an artist actively engaging in leftist causes you’re probably on some sort of government watchlist goodnight ❤️
It is almost impossible to make a good biopic for the simple reason that a human life — any human life — is too complicated for the form. You can’t actually fit the full scope of someone’s life in a 120 minute movie. It’s why the best films in the genre center on a singular event in an individual’s life versus the full sweep of their experiences. And even then, it’s tough.
Malcolm X is a traditional biopic in that it attempts to tell the story of the civil rights leader from start to finish. But rather than try to avoid or work around the fact that lives — to say nothing of the life of Malcolm X — are big and…
Imagine the Academy voters seeing Denzel in this and being like, "Yeah, but Pacino was so funny, 'hoo-ah!', lol."
Fun fact I only just discovered today: the script of this masterpiece was actually written by none other than James Baldwin in the 1970's (his family estate requested his name be removed from the credits as Spike Lee was doing script revisions, though Lee maintains not much was changed). So it makes even more sense then that despite it being a bio-pic, the focus is squarely on Malcom's intellectual development and even intellectual trajectory rather than life events - only really life events when they inform Malcom's own ideological conciousness. That's also why this is just about the least "Oscar-baity" bio-pic one could possibly ever make, even with Spike Lee toning down his usual formal approach. It's also why this…
the two shots of the fires burning down homes two hours apart, about men holding their families as their houses blaze behind them, looking off in the distance of the racists that did it with fury, and knowing that this is the sign of their painfully inevitable demise. by the time malcolm himself sees the flames and in essence, becomes his father, he's living on borrowed time, only a matter of moments or scenes before he dies before he should, at the hands of bigots with weapons and most importantly power. you can almost see it in his eyes, that death is coming for him, because he committed the crime of being black and not letting his oppressors control him any longer. this is the great american tragedy, not just malcolm but for all the black people slaughtered due to their skin and their strength. one of the greatest films and lead performances you'll ever see
by the time malcolm x wearily stumbles to the speech he will give before his death, we understand in our bones both his anger and his exhaustion. the triumph of the film is that it's the story of one man's struggle and through digging deep into his psyche, it becomes the story of many people's struggle. the movie ends by showing us that malcolm x's legacy continues and his call for racial equality is still being answered. we know every step of the way what he is fighting for and who he is fighting because the film intertwines the personal with the monumental. grand with empathy-the birth to death approach here doesn't feel like a wikipedia article (unlike ahem bohemian rhapsody), it feels like a journey. it's spike's american epic. it's bringing both america and america's legacy of white supremacy to trial.
"And the winner for best actor goes to… Al Pacino in Scent of a Woman."
The Academy, 1993
